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How to Escape

by Square and Compass

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1.
In my beginning is my end. This is the sound of faucets left running and scattered novels half-read. There’s single frames of film spliced in between static: last looks at the moon, would-be legendary loves never actualized, conjoined coronaries cut apart too soon. A star-crossed birth Guaranteed my doom.
2.
DÉTENTE 04:02
Disarm my heart! Honey, you’re my home. But I’m imprisoned by my own neuroticism, and I dread the day you’ll tire of my dismal charms. I’m a crude, weathered sculpture vainly flapping the cupid wings you planted on my back. Yes, I’m made of want and want is made of stone. I guess I’m still a mess, but I finally know that love is not enough. I’m a keen romance wrangler with no peace of mind to show, ‘cause love is not enough. Remember our first tryst? Our adverb-shaped bodies magnetized under star-peppered skies, but we failed to surmise that in this world even desired fates are star-crossed. Satisfaction murders passion and passion constitutes the soul. I guess I’m still a mess, but I finally know that love is not enough. I’m a keen romance wrangler with no peace of mind to show, ‘cause love is not enough. But it’s all I’ve got! This unquenchable lust makes a minefield of my life. I must disarm my heart! Take this muscled sack of blood and throw it in the river, ‘cause it blinds me with its need and greed, so I can’t be what I need to be: a man with the world in the palm of his hand, not some pathetic fragile mess. So disarm my heart!
3.
Girl, your body is composed of crisp first pages of novels, but I’ve always been a sucker for endings. Our doom, it looms like the brazen moon showing face while the sun still shines. My heart is the loaded gun hanging ominously upon its rack in the first act of a Chekhov play.
4.
HACKSAW 04:07
What’s the cure for futility, the human condition, the non-stop need to need? And why can’t I define satisfied? Why’s it always the pursuit of more that navigates my life? We all aspire to the brilliant stars. But the world is the ball on the chain weighing down our hearts. I want to take my foot off with a hacksaw. I’m so tired of drifting afloat on this brittle raft made of scrap-wood that we call “Hope.” ‘Cause we can’t survive on pacifying, Prozac-laced salt water when we thirst for divine wine. So we all aspire to the brilliant stars. But the world is the ball on the chain weighing down our hearts. I want to take my foot off with a hacksaw. My body is my cross to bear. It can’t attain desire’s reach. My only chance to catch the stars is the hacksaw.
5.
Once upon the distant past you tore me down like a cobweb in the rafters of our romance— made me a dust bunny hopping toward my death. My constant cry has been, “I won’t survive.” But years are armor, preserving my sepulchered life. You gave me reptile wrists— a coat of blade-proof, scaly scars. And now my cold blood just gets colder; I’ve got an eternal internal ice age. I’ve been counting on your curse to kill me, but it’s only caked on my skin. Your kiss of death proved useless. And the effect of age is a thickening shell of fear and pain.
6.
Maul and meld. You got to maul to meld. I’m molting my life’s eras like layers of melting ice caps— the smothering dander of sighs, wails and mishaps. Those masochistic mimics of myself adjourn when self transforms lovelorn to love-sworn. Our bodies are impeding partitions, but they’re the only things we’ve got to hold onto. You’re my blanket at night, or rather my skin; you sheath me in tender limbs ‘til the cruel sunlight comes in. “Baby Boy,” you say, “I must go to work.” “Baby Girl,” I bay, “this will never work!— our suckling cells slaves to separation— we need a spell for touch preservation!” I wish we were vagrants asleep in a field— the sun roasts our bodies and our flesh begins to yield; returning to dust, enduring our grasp, Our lungs mold together as we share one final gasp; the cumbrous meat melts to earth as hair just keeps on growing— we’d be a be a beautiful pile of bones, cuddling while decomposing. Our bodies are impeding partitions. Well, just maybe, self-excavation could lead souls to amalgamation; ‘cause these bodies are impeding partitions.
7.
I’m running away from failing fantasies and the rot-rot-rotten realities of everyone who knows my name, but my ankles are swollen ‘cause the way woe twists my insides up contorts my outsides just the same. So I’m limping. I’m running away limping. It’s another escape: another chance to brood and curse and hate my life. The screeching tires and footsteps form the soundtrack to my cries. Another escape: trying to find the place that’s far enough away from all the demons that wreak havoc on my mind. Windows reflect my rampant goings and comings. In distant glass eyes “soon” is the only word muttered. Delusion is my only defense. The pursuit of happiness is the bone-tingling itch in the center of my spine that would take a miracle to be soothed. I just want to tackle houses and drown in boards and bricks; for shit’s sake, my will’s already crushed like brittle bones. So I’m wincing. I’m wincing, I’m limping, I’m restless, I’m sweating ice, I’m spitting dirt, I’m pissing fuel, I’m lonely, I’m on the edge, I’m running away. I’m running away. I’m running away. I’m gone. All that I’ll ever ask for again is an atlas and a full tank of gas.
8.
VARIATION 00:48
9.
Well, that’s the question: to be or not to be? Is it noble in the mind to take arms against a sea of ceaseless troubles and, by opposing, end them? To die. To Sleep. To sleep perchance to dream. ‘Til we have shuffled off this mortal coil must give us pause.
10.
JUST A TASTE 03:26
Say, girl, I wanna taste you. I’ll have a flushed flesh buffet: epidermal eloquence devoured. Say, girl, I want to decay you. Time for a tooth on meat melee: meal of skin perfume-sugared or sweat-soured. Hey! You won’t ever get your siren grasp on me. Hey! One night of savage love is all I need. Too long I’ve been a slave to feminine wiles and romantic fallacy. Kisses have only earned me hideous scars. And alluring, lubricated cunts have merely served as vacuums for my soul. But no more! Tonight you look ravishing; licentious thoughts are washing over me. For your angelic body, I am starving. I want to eat you up and spit you out like a thousand other girls have done to me. Man inside woman—it’s a tired a cliché. So reverse the curse; ingest her vitality! My manic mouth mauling you, it’s almost like crooked canines consuming the cosmos. Say, girl! I wanna taste you and to decay you. Say, girl! Sex bite!
11.
Oh, your life is a tidal wave and mine’s a splintering home. Let’s go to Miami and uproot our troubles with hurricanes. Let’s go. Who needs doors and windows anyway? You always see through me like I’m naked, or lacquered in shame, or like I’m wearing my skin inside-out. I’m a Hellraiser. Momma gave birth to a natural disaster. I’m a cantankerous archangel bottling defiant souls. I keep your essence confined in an air tight Holy Grail. One of these days I’m going to punch a hole in your chest and free your blood from its repetitious route. My jailbar ribs keep our hearts from colliding. Let’s go to Miami and uproot our troubles with open arteries. Let’s go. Death by collision, it’s such a cliché. Instead let’s drain our futile pain.
12.
1123 04:37
It’s been so many years since you have gone into your grave. I still have your memories, but now those have begun to fade. It’s getting harder to wake up every day, and Johnny Walker only can numb so much pain. Why did I have to be the one who found you lying there? Fell to my knees when I saw your body, stiff and cold and bare. Dying slowly. Ripping and tearing, I’m falling apart at the seams. So lonely. I’m the last sprig in a forest of sawed-apart trees. Woe owns me. Time goes by and tears run dry and I’ll never know why you were taken from me. I want to know what kind of god would steal the ones we love away from us. If in fact he does exist, I’m sure he’s one sadistic fuck. Now you seem just like a dream. I wish I could wake up and find you waiting for me. I swore I’d never forget your scent, your voice, your face. Please say my aging recollection doesn’t denigrate my love.

credits

released November 1, 2012

All songs written and recorded by Square and Compass
Engineered by Mike BBQ at Big Door Studios in Webster, TX
Produced by Square and Compass
Mixed by Mike BBQ
Mastered by Carl Saff
Artwork by Matt Mims

Thomas Heard - vocals
Tommy Grindle - guitar, vocals
Todd Spoth - guitar, vocals

*bass performed by Tommy Grindle
*drums performed by John Sanchez
*drums on "Variation" performed by Jacob Warny
*additional engineering on "Variation" by Jack Sananikone

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Square and Compass Houston, Texas

2010 - 2016

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